▆ Big Bang Tour at Staples Center BIGBANG Concert Tickets on October 3, 2015 in Los Angeles, California For Sale

BIGBANG xxxx WORLD TOUR SCHEDULE & TICKETS
BigBang Tickets
Staples Center
Las Vegas, NV
Saturday
10/3/xxxx
7:00 PM
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We will have an excellent selection of concert tickets for the BIGBANG World Tour xxxx and options made available by the hosting venues including, if made available, Meet and Greet Passes and VIP Fan Packages for select venues.
The BIGBANG concert tickets available might include BIGBANG Presale Tickets, BIGBANG Front Row Tickets, BIGBANG Floor Tickets, BIGBANG Balcony Tickets, BIGBANG Orchestra Tickets, BIGBANG Pit Tickets, BIGBANG Loge Tickets and BIGBANG Mezzanine Tickets.
To view an updated schedule for the BIGBANG xxxx World Tour please use this link:
Updated BIGBANG xxxx World Tour Schedule.
BIGBANG xxxx World Tour Schedule
BigBang Tickets
Mandalay Bay - Events Center
Las Vegas, NV
Friday
10/2/xxxx
8:00 PM
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BigBang Tickets
Staples Center
Las Vegas, NV
Saturday
10/3/xxxx
7:00 PM
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BigBang Tickets
Honda Center
Anaheim, CA
Sunday
10/4/xxxx
8:00 PM
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BigBang Tickets
Prudential Center
Newark, NJ
Saturday
10/10/xxxx
8:00 PM
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BigBang Tickets
Prudential Center
Newark, NJ
Sunday
10/11/xxxx
8:00 PM
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BigBang Tickets
Air Canada Centre
Toronto, Canada
Tuesday
10/13/xxxx
8:00 PM
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Burgoyne's the hit of the piece. Hugh's written a delightful part for her, and she's quite inexpressible. It's been on only two weeks, and I've been half a dozen times already. I happen to have MacConnell's box for tonight or there'd be no chance of our getting places. There's everything in seeing Hilda while she's fresh in a part. She's apt to grow a bit stale after a time. The ones who have any imagination do." Mainhall laughed. "Then you can't have heard much at all, my dear Alexander. It's only lately, since MacConnell and his set have got hold of her, that she's come up. Myself, I always knew she had it in her. If we had one real critic in London--but what can one expect? Do you know, Alexander,"-- Mainhall looked with perplexity up into the top of the hansom and rubbed his pink cheek with his gloved finger,--"do you know, I sometimes think of taking to criticism seriously myself. In a way, it would be a sacrifice; but, dear me, we do need some one." Just then they drove up to the Duke of York's, so Alexander did not commit himself, but followed Mainhall into the theatre. When they entered the stage-box on the left the first act was well under way, the scene being the interior of a cabin in the south of Ireland. As they sat down, a burst of applause drew Alexander's attention to the stage. Miss Burgoyne and her donkey were thrusting their heads in at the half door. "After all," he reflected, "there's small probability of her recognizing me. She doubtless hasn't thought of me for years." He felt the enthusiasm of the house at once, and in a few moments
he was caught up by the current of MacConnell's irresistible comedy. The audience had come forewarned, evidently, and whenever the ragged slip of a donkey-girl ran upon the stage there was a deep murmur of approbation, every one smiled and glowed, and Mainhall hitched his heavy chair a little nearer the brass railing. "You see," he murmured in Alexander's ear, as the curtain fell on the first act, "one almost never sees a part like that done without smartness or mawkishness. Of course, Hilda is Irish,--the Burgoynes have been stage people for generations,--and she has the Irish voice. It's delightful to hear it in a London theatre. That laugh, now, when she doubles over at the hips--who ever heard it out of Galway? She saves her hand, too. She's at her best in the second act. She's really MacConnell's poetic motif, you see; makes the whole thing a fairy tale." The second act opened before Philly Doyle's underground still, with Peggy and her battered donkey come in to smuggle a load of potheen across the bog, and to bring Philly word of what was doing in the world without, and of what was happening along the roadsides and ditches with the first gleam of fine weather. Alexander, annoyed by Mainhall's sighs and exclamations, watched her with keen, half-skeptical interest. As Mainhall had said, she was the second act; the plot and feeling alike depended upon her lightness of foot, her lightness of touch, upon the shrewdness and deft fancifulness that played alternately, and sometimes together, in her mirthful brown eyes. When she began to dance, by way of