UPDATE : Thor The Dark World Download movie Free in Los Angeles, California For Sale

http://kudabox.com/thor_the_dark_world_xxxxp_axo-avi/
The second lesson of the weekend is yet another one that should have been learned by now: Yes, black people go to the movies. We all like to act surprised over and over when Tyler Perry scores again and again or when Kevin Hart?s Laugh At My Pain or Let Me Explain break out in limited release. It?s well-past time we noticed that black audiences like seeing themselves onscreen. More importantly, and this is arguably the key, they really like seeing black characters onscreen in starring roles in films that don?t necessarily revolve around racially-based adversity. When Hollywood bothers to make films like that, African-American audiences generally show up in relatively solid numbers, with periodic blockbuster debuts like this one. http://kudabox.com/thor_the_dark_world_xxxxp_axo-avi/ Tim Story?s Think Like A Man, loosely based on Steve Harvey?s dating self-help book, was a breath of fresh air last April. We all acted stunned when it debuted with $33 million the weekend before summer, but in retrospect it shouldn?t have been all that surprising. It was a genuine ensemble romantic comedy that happened to be filled with black movie stars without the Tyler Perry package. It was something we hadn?t seen much of since the early xxxx?s. If Think Like A Man was a (new) trendsetter like The Ring, Malcolm D. Lee?s The Best Man Holiday is The Grudge, the first major movie to capitalize on what Hollywood hopes may be a genuine fad. It doesn?t hurt that several cast members of The Best Man have become bigger stars in the last fourteen years. Taye Diggs, Morris Chestnut, Regina Hall, Terrence Howard, Sanaa Lathan, Nia Long, and Harold Perrinea are all ?names? in the African American community.
The Best Man Holiday not only operated as a nostalgic sequel for audiences pining for a time (xxxx-xxxx) when films like The Best Man weren?t an aberration, but also happened to be primed to capitalize on being the first big ensemble romantic comedy to open after the (we hope) trend-setter that is Think Like A Man. The film played 75% female, 63% 35-and-older, and 87% black. The debut is slightly less than Think Like A Man and higher than every Tyler Perry debut save Madea Goes To Jail ($40m). Presuming it has a weekend-to-final multiplier closer to Think Like A Man (2.72x) than the usual Tyler Perry film (an average of around 2.25x), it?ll end its domestic run with $83m. That?s a huge win and should make Sony , which has Think Like A Man Too set for June, very happy. There really isn?t much news of note this weekend. Charlie Countryman, Shia LaBeouf?s bid at indie respect, grossed just $8,579 on fifteen screens. Alexander Payne?s Nebraska debuted from Paramount Vantage on four screens this weekend, for $140,000 and a $35,000 per-screen average. This one is gunning for an Oscar nom for Bruce Dern, but this strong debut means little one way or another for the black-and-white dramedy as it copes with a strong Oscar season. Of note, I would hope that Paramount releases this somewhat wide, as it takes place in and is arguably about the kind of ?flyover? country that Hollywood often ignores but is ripe for the picking. There is a reason that Bernie, which was a skewed love letter to Texas hospitality, played all summer back in xxxx. Paramount is at least expanding to ten markets next Friday.
Thor: The Dark World is doing fine, with a solid $38.5m weekend. That?s a drop of 55%, which is a larger drop than Iron Man (-48%), Thor (-47%), and The Avengers (-50%) but slightly smaller than the likes of Iron Man 2 (-59%), Iron Man 3 (58%), The Incredible Hulk (-60%), and Captain America (-60%). I could argue that perhaps a smaller drop might have been in order due to little demographic competition and a November release date, but that?s beside the point. Thor: The Dark World has a ten-day domestic cume of $147 million, with its worldwide total now at $479m, well above the entire $449m total of the first Thor. It may not be leggy, but it has big enough numbers, and it?s doing well enough as a kid-centric entertainment (see that 3.6x second weekend multiplier), that it doesn?t need legs. Warner Bros.? Gravity is nearing the end of its initial theatrical run (I?m expecting an Oscar-centric IMAX rerelease in early xxxx), and it crossed $240 million domestic today with a $6.2m (-26%) weekend gross. It?s the fifth-biggest domestic grosser of xxxx, having passed Fast & Furious 6 ($235m) and its racing towards $500m worldwide. Free Birds earned another $8.3m (-25%) for a new total of $42.2m. The good news is that Free Birds is holding quite well. The bad news is that Free Birds has just one more weekend before its goose gets cooked by Disney?s Frozen. Lionsgate?s Ender?s Game held up okay, dropping 40% in weekend three for a $6.2m frame. But having barely crossed $50m after 17 days ($53m), it?s another dead would-be franchise. Not that it matters that much with The Hunger Games: Catching Fire dropping next Friday. Richard Curtis?s About Time has now earned $11m domestic but $53m worldwide, while Rush has $26m domestic.
Matthew McConaughy?s Oscar-bait drama Dallas Buyers Club is hanging in there, having earned $1.7m on 184 screens in its third weekend. Its cume is $3m. Paramount?s Jackass Presents: Bad Grandpa earned an estimated $7.6 million (-32%) in its fourth frame. It?s shown remarkable legs, ending the weekend with $90m, and it will cross $100m around Thankgiving. CBS CBS +0.36% Films? Last Vegas held steady with a $8.87m third weekend (-20%). It?s at $46.9m total and, once it surpasses the $54m gross of The Woman In Black, will become CBS Films? biggest domestic earner ever. Oscar bait Captain Phillips won?t quite make it to $100m by the end of the this weekend (about $97m cume), but it should happen sometime over the next week, while presumptive front runner 12 Years A Slave is slowly chugging along as it retains its position as Best Picture ?one to beat?, and it should be just over/under $25m by the end of today. That?s it for this weekend. Join us for the debut of Lionsgate?s The Hunger Games: Catching Fire (review Tuesday or Wednesday), the single-screen debut of Disney?s Frozen (review Monday or Tuesday), and the wide debut of Disney?s Vince Vaughn vehicle Delivery Man. Except Tom Hiddleston?s performance as Loki, Thor?s evil adopted brother. Hiddleston continues to be the best thing about these films, his sneering confidence curdling into condescension. The universe and all its realms simply aren?t big enough for his ego. He knows it, we know it, the filmmakers know it, and ?Thor: The Dark World? is never more alive than when Loki is on-screen.
This time around, a race of evil elves previously thought vanquished want to wipe out the universe as we know it and return it to the dark world ? note the title ? they evidently inhabited before time began, or some such. There is a lot of ?or some such? in this movie, which doesn?t always make a lot of sense. Which is fine, because for all the talk of science, it?s not a physics class. For which we can all be thankful. Thor (Chris Hemsworth) has spent the past couple of years cleaning up messes in the nine realms and checking in on his father, Odin (Anthony Hopkins, who honestly doesn?t seem like he?s trying very hard) on Asgard, the realm they call home. The lesson of this weekend?s box office is two-fold. First of all, we have another shining example of why ranking is relatively irrelevant. Disney?s Thor: The Dark World is the top film of the weekend with $38 million (-55%), but it is not the top story of the weekend. Universal?s The Best Man Holiday, Malcolm D. Lee?s sequel to The Best Man fourteen years after the original, debuted with a genuinely strong $30.6 million. Said number is an unquestionable triumph for the $17m comedy whether it ends up in first place or ends up in ninth place.